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Showing posts with label The Reader. Show all posts
Showing posts with label The Reader. Show all posts

Nazis, nipples and narrative: a DVD review of `The Reader'

Wednesday, June 17, 2009

Now that Oscar season is well and truly over, so begins the wave of award-worthy movies hitting our shelves. With the more appealing Slumdog Millionaire, Frost/Nixon and Milk released earlier in the year and The Curious Case of Benjamin Button earlier this month, The Reader is the last of the best picture nominees to get a DVD release.

Adapted from Bernhard Schlink’s novel Der Vorlesser and directed by Stephen Daldry, the film is set in 1950s Germany where schoolboy Michael Berg begins an affair with much older Hanna Schmitz. In a bold piece of casting the character of Hanna is played by Kate Winslet’s breasts. In fact, Hanna is an ensemble performance from Winslet’s entire anatomy as her nipples and baby-maker spend as much time on screen as her face. Constant nudity aside, this is the role that finally won Winslet the best actress Oscar after five previous nominations. Solid as her performance is in The Reader, she was more deserving of the gold statuette for her role in Iris or Eternal Sunshine of the Spotless Mind.

For much of the first third of the film all you do is watch Hanna and Michael going at `it’, but their affair comes to an abrupt end (much to my stomachs relief) when Hanna moves away. Fast forward some years later and Michael is now a wet-eyed law student sitting in on the trial of seven women, former prison guards for the Nazis during WWII, accused of atrocious war crimes. Much to Michael’s surprise, his cougar Hanna is one of the accused. Thankfully we don’t have to witness another grunting and grinding display between Hanna and Michael, but the cringe-worthy sex scenes soon seem like a fond memory as a bunch of crying and moral lessons ensue. Ralph Fiennes plays an older, yet still weepy, version of Michael who tries to come to terms with what Hanna has done and the effect she has had on his life.

From The Boy in the Stripped Pyjamas and Good, to Defiance and Valkyrie, in the past eight months there have been a plethora of WWII related films. With Quentin Tarantino’s Inglorious Basterds just around the corner, it seems Hollywood has found its latest niche topic. The element that sets The Reader aside from the others lies in its Nazi sympathies. Of course, any film that vaguely smells of Nazi is unpopular with audiences and you get the feeling the encounter with an aging Holocaust survivor at the end of the film has only been thrown in to try and balance the scales slightly.

Sure, the performances are solid; Winslet is convincing as the snarling, rude and frequently nude Hanna and Fiennes brings his experience to the role of older Michael. Up and comer David Kross is good as the young Michael, although, he doesn’t have to do anything except get laid and tear-up so it’s questionable how hard the role would have been to play. The cinematography, a joint effort by Roger Deakins and Chris Menges, is truly beautiful and carries much of the film throughout the slower scenes (and there are plenty of those).

Like an overwhelming majority of Oscar nominated films The Reader is a depressing movie and weighed down by its urgency to say something meaningful about the human condition. Arguably people aren’t going to rent-out a film like The Reader and expect the joyous escapism of Slumdog Millionaire. Yet even as a piece of artsy cinema The Reader is a mediocre ride with not enough `omph’ to really punch the message, whatever that is, home.

First time viewers will be glad they waited for the DVD release and if the feature film hasn’t drained every last morsel of enthusiasm out of you, then there’s plenty of extras to keep you philosophising. They include a feature on adapting the novel for the screen with an intriguing interview of David Hare, the man tasked with writing the script for The Reader. Surprisingly for a film without any special effects or big stunts there are plenty of featurettes for the movie voyeur including a look behind the make-up work, music and production design. The Reader is available to rent or buy on June 24.

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Looking in to my crystal ball . . . . .

Tuesday, February 17, 2009

With the Oscars less than five days away, I figured it was time for Movie Mazzupial to unveil some predictions. Well, I say predictions but really these are the people/films I want to win. The people I think will actually win are highlighted in green and the people I want to win are in pink. If I believe the planets will align and what I want to win and what I think will win are the same thing, then it will appear in blue. Confused? So am I. If the following spins you out too much just wait for the actual Academy Awards ceremony which is on Sunday, February 22 or Monday, February 23 for us Aussies. And the winners are -
Performance by an actor in a leading role
Sean Penn in “Milk” (Focus Features)
Mickey Rourke in “The Wrestler” (Fox Searchlight)
Performance by an actor in a supporting role
Heath Ledger in “The Dark Knight” (Warner Bros.)
Performance by an actress in a leading role
Kate Winslet in “The Reader” (The Weinstein Company)
Performance by an actress in a supporting role
Amy Adams in “Doubt” (Miramax)
Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
Best animated feature film of the year
“WALL-E” (Walt Disney), Andrew Stanton
Achievement in art direction
“The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
“The Dark Knight” (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando
Achievement in cinematography
“The Dark Knight” (Warner Bros.), Wally Pfister
“Slumdog Millionaire” (Fox Searchlight), Anthony Dod Mantle
Achievement in costume design
“Australia” (20th Century Fox), Catherine Martin
“The Duchess” (Paramount Vantage, Pathé and BBC Films), Michael O’Connor
Achievement in directing
“Milk” (Focus Features), Gus Van Sant
“Slumdog Millionaire” (Fox Searchlight), Danny Boyle
Best documentary feature
“The Betrayal (Nerakhoon)” (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
“Man on Wire” (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn
Best documentary short subject
“The Conscience of Nhem En” A Farallon Films Production, Steven Okazaki
“The Witness - From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde
Achievement in film editing
“The Dark Knight” (Warner Bros.), Lee Smith
“Slumdog Millionaire” (Fox Searchlight), Chris Dickens
Best foreign language film of the year
“The Class” (Sony Pictures Classics), A Haut et Court Production, France
“Waltz with Bashir” (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel
Achievement in makeup
“Hellboy II: The Golden Army” (Universal), Mike Elizalde and Thom Floutz
Achievement in music written for motion pictures (Original score)
“WALL-E” (Walt Disney), Thomas Newman
Achievement in music written for motion pictures (Original song)
“Down to Earth” from “WALL-E” (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel
“O Saya” from “Slumdog Millionaire” (Fox Searchlight), Music and Lyric by A.R. Rahman and Maya Arulpragasam
Best motion picture of the year
“Milk” (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers
“Slumdog Millionaire” (Fox Searchlight), A Celador Films Production, Christian Colson, Producer
Best animated short film
“La Maison en Petits Cubes” A Robot Communications Production, Kunio Kato
“Presto” (Walt Disney), A Pixar Animation Studios Production, Doug Sweetland
Best live action short film
“The Pig” An M & M Production, Tivi Magnusson and Dorte Høgh
“Spielzeugland (Toyland)” A Mephisto Film Production, Jochen Alexander Freydank
Achievement in sound editing
“Slumdog Millionaire” (Fox Searchlight), Tom Sayers
Achievement in sound mixing
“The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
Achievement in visual effects
“The Dark Knight” (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
Adapted screenplay
“Slumdog Millionaire” (Fox Searchlight), Screenplay by Simon Beaufoy
Original screenplay
“Frozen River” (Sony Pictures Classics), Written by Courtney Hunt
“In Bruges” (Focus Features), Written by Martin McDonagh

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