Powered by Blogger.

Home

Showing posts with label Tom Hooper. Show all posts
Showing posts with label Tom Hooper. Show all posts

Bet it's the Oscars

Saturday, February 26, 2011

Despite originally starting as the dark horse, The King's Speech is racing towards Oscars glory at the 83rd Academy Awards on Monday. The Social Network was the early favourite to take the best picture Oscar, but British Australian co-production The King's Speech has since stuttered to a comfortable lead with 1/4 odds for best picture ahead of the Facebook movie at 11/4. The King's Speech director Tom Hooper says while the prospect of taking out the major categories is ``fantastic'', he's trying not to get ahead of himself.
``I like to keep focus on what has already happened and I'm delighted just to have 12 nominations,'' he says.
``There's a lot to celebrate in that.''

The film's star, Colin Firth, looks set to have plenty to celebrate at the Oscars after party. Bookies have him as the shortest-priced favourite in Oscars history. Best actress honours are also likely to be a sure thing, with Natalie Portman (Black Swan) at 1/10 and Annette Bening (The Kids Are All Right) at 5/1. Unfortunately, Australian nominees Nicole Kidman (best actress, 66/1) and Jacki Weaver (best supporting actress, 66/1) are outsiders, while Geoffrey Rush (best supporting actor, 3/1) trails hot favourite Christian Bale (1/5).

The Australian with the best chance of climbing the podium to make an acceptance speech is film editor Kirk Baxter, whose editing work on The Social Network has him at 1/5, with his main rivals 127 Hours and The King's Speech at 6/1. Other Australians nominated for Oscars include producer Emile Sherman (The King's Speech), animated short film director Shaun Tan (The Lost Thing) and visual effects gurus Ben Snow (Iron Man 2) and Joe Farrell (Hereafter).

In a year in which the favourites are tipped to triumph, the best director category is shaping up as the closest thing to a nail-biter. Christopher Nolan's (Inception) controversial absence in the best director category has left Hooper (The King's Speech) and David Fincher (The Social Network) in the Oscar's closest race at 7/4 and 21/50 respectively. Who would have thought a film that looks exactly like Oscar bait a bullied Brit overcomes adversity while his knowing and unconventional mentor looks on would turn out to be just that? Well, besides everyone.

The 83rd Annual Academy Awards screen Monday from 9am on Pay TV's Starpicsth1 and from 9.40pm on Nine and NBN.

Read more...

Royalty killed the radio star

Thursday, December 16, 2010

The story of King George VI of Britain is a well-known one, but mostly due to his impromptu ascension to the throne as a result of his brother King Edward VIII's relationship with American divorcee Wallis Simpson. British film The King's Speech seeks to take audiences deeper into the private lives of the Royal family and the personal struggles of King George, namely his debilitating stutter.

The film opens in 1925 soon after radio has made it into every home worldwide and now the Royal family are required to do more that ``look like a king''. Enter Prince Albert Frederick Arthur George (Colin Firth, above) or Bertie, as he's known to his wife Lady Elizabeth Bowes-Lyon (Helena Bonham Carter) and daughters Elizabeth and Margaret. Bertie has such a severe stammer and fear of public speaking, that all his addresses end in a confudled mess of British angst and embarrassment. His wife has dragged him along to every speech therapist and doctor to no avail, that is, until she comes across the talents of unorthodox Australian speech therapist Lionel Logue (Geoffrey Rush, above). Reluctantly, Bertie begins sessions with Logue which include peculiar exercises, outbursts of swearing, psychological tricks and what soon develops into an unlikely friendship between the pair. But after the death of his father the King (Michael Gambon), his older brother King Edward (Guy Pearce) is more interested in chasing American tale than fulfilling his duties as King, while across the way Hitler is gaining power and momentum. Bertie's speech improvement and newfound confidence is going to be put to the test in a time when the nation needs him more than ever.

The King's Speech is in many ways a period bromance as we, the audience, follow the development of a beautiful friendship between Bertie and Logue. The characters are rich, multi-layered specimens - Bertie especially, who at first comes across as a pompous Brit but is in actual fact a lifelong victim of bullying and someone very easy to sympathise with. Logue too is fantastically realistic and it's a credit to the screen writers that they've resisted the urge to make him an `Aussie ocker' cliché. The performances are flawless, with Firth fully deserving of the career Oscar he's tipped for and Rush immaculate and restrained as the highly intelligent therapist. The supporting cast in Bonham Carter (below), Pearce and Gambon too are impressive.The sets shy away from the overly-Royal sentiment that so often drowns period pieces. Instead it truly captures the grim and depressing sentiment of a nation on the brink of another war. And although the ingredients are right, The King's Speech can't help but become boring in patches. Between the fantastic montages of Bertie and Logue practising colourful speech techniques come tedious scenes, heavy in dialogue and little else. It's a shame, because director Tom Hooper has gone to such effort to make this period-piece as detailed and revealing as possible, which it is. However, in the end the stuffy British-ness tends to weigh the film down.

The King’s Speech is out Boxing Day.

Read more...

Favourite Movie Friday with director Tom Hooper

In light of it sweeping the nominations pool at the Golden Globes this week, I thought what better time to share The King’s Speech director Tom Hooper’s favourite movie picks. For those of you too lazy to scroll down the page to check the GG noms, The King’s Speech is up for best film, best director, best actor, best supporting actor, best supporting actress, best screenplay and best original score. While impressive, it’s equal to The Fighter’s nominations so woo! Anyway:

“As I’m in Australia right now I will narrow it down to Australian directors that have inspired me: Peter Weir has been a huge influence. Master and Commander was the film I watched most closely when I was making John Adams. And then if you look back to Gallipoli, he’s a great period filmmaker. Then The Truman Show is one of those great examples of making a commercial movie that is still artistic and comments on our culture and society.”

The King’s Speech is out on Boxing Day and you can read my exclusive article with Tom Hooper here. Review pending.

Read more...

The King’s Speech and Oscars s-s-s-success

Monday, December 13, 2010

The God of Thunder or King George VI with a stammer? That was what it came down to for director Tom Hooper who was tossing up between comic-book movie Thor and period drama The King's Speech as his next project. But with The King's Speech headed for Oscars glory, Hooper definitely made the right decision.
``I was very happy with what I chose,'' says the filmmaker from his Sydney hotel room.
``As a director there are two types of movies that are being made at the moment and that's huge, juggernaut movies with big budgets and indie films.
``You either go big or go to smaller movies and the great thing about doing this is you can do stuff that's not straining for a big audience.
``I love the fact we made this in a way that was very uncompromising.''

It appears audiences and critics love that too, with Hooper (below) speaking on the phone this morning after the Australian premiere in Sydney. Hooper says he was `overwhelmed at how much the film played like a comedy' with the audience laughing for minutes at a time.
``I think the Aussies got the jokes more than the Brits and Americans did,'' he says.Which makes sense, considering Geoffrey Rush plays an unconventional Australian speech therapist who's called in to help fix the debilitating stammer of King George VI, played by Colin Firth. Hooper himself is half-Australian and says it was his Australian mother who first introduced him to The King's Speech via an underground version on the London theatre scene. The film has come a long way from theatre origins to industry insiders touting it as a red-hot Oscars favourite, with nominations likely across several major categories
.
Hooper, who won an Emmy for his mini-series Elizabeth I, is quick to dismiss the hype.
``It's still very early days, none of the nominations have come out yet and I like to keep focus on what has already happened (at awards ceremonies),'' he says.
``The funny thing about all these award ceremonies is part of the experience, if you're ever lucky enough to win an award, is that you have to make an acceptance speech and our whole film is about a fear of public speaking, which is an interesting connection.''But the filmmaker is more enthusiastic about Firth and Rush's chances of winning at the awards, with Helena Bonham Carter even an outside chance for best supporting actress.
``They are both men who are at the top of their game and doing extraordinary work,'' he says.
``I just went to see Geoffrey in his play in Sydney which he dominated and he's such an extraordinary Australian actor and talent.
``And with Colin, he had A Single Man last year and The King's Speech this year . . .I'm biased, but I think they deserve everything they get.''

The King's Speech opens on Boxing Day.

Read more...

  © Blogger templates Newspaper by Ourblogtemplates.com 2008

Back to TOP