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Showing posts with label Liam Neeson. Show all posts
Showing posts with label Liam Neeson. Show all posts

Top 6 Best Liam Neeson performances

Wednesday, March 30, 2011

I just completed my last post and assignment in the Blockbuster Super Blogger competition and thought I'd share it with you here; the Liam Neeson performances. The 58-year-old Irishman has crafted a long and industrious career, starring in everything from award-winning films like Gangs Of New York and Les Miserables, to Hollywood blockbusters like Clash Of The Titans and Star Wars Episode I: The Phantom Menace. He might be better known for his popular turns in movies like Unknown, Clash Of The Titans and Taken, but here are my picks of the best (and one worst) Liam Neeson performances. The Best . . . . Schindler’s List (1997)

Neeson gives an Oscar-nominated turn in Steven Spielberg’s sweeping WWII blockbuster based on the heroic true to story of Oskar Schindler who saved the lives of more than a thousand Jews during the Holocaust by employing them. As Schinlder, Neeson gives an unforgettable performance as an everyday man forced to rethink his beliefs and ethics during a horrific period in world history. His breakout role, Neeson manages to paint a character that is just as human as you or I, but goes to extraordinary measures (at great risk to himself and his family) to do the right thing.


Kinsey (2004) In my opinion, Neeson’s best performance. He plays the infamous professor Alfred Kinsey who’s research on sex and sexual behaviour has helped influence social and cultural values worldwide for decades. Neeson throws himself into this fascinating look into Kinsey’s research and personal life. His immersive performance makes you just as inquisitive as the doctor and Neeson holds nothing back in this complex, hilarious, emotional and exposing role as a man who took sex from being taboo to talkable.


Michael Collins (1996) It seems only fitting that arguably one of Ireland’s greatest actors plays Ireland’s greatest revolutionary; Michael Collins. Working with experienced director Neil Jordan, Neeson gives an explosive performance as Collins – superbly showing his humanity and at the same time immortality as the face of a rebellion. Together with Julia Roberts and Alan Rickman, Neeson leads a trio of strong performances that saw him nominated for a Golden Globe. The fact he didn’t even nab an Oscar nomination is not only unbelievable, but incredibly unfair.


Five Minutes To Heaven (2010) Neeson stars in another iconic Irish story, this time as former UVF member Alistair Little. Twenty-five years after Little killed Joe Griffen's (James Nesbitt) brother, the media arrange an auspicious meeting between the two. Downfall director Oliver Hirschbiegel weaves a loaded tale that triumphs thanks to the powerful and heart-wrenching performances of Neeson and Nesbitt. It’s hard to say who actually proves the superior actor, but that’s not the point. Neeson gives one of his most calculated, building and lasting performances as a man trying to rewrite his past.


Batman Begins (2005) The opportunity to play a villain is a rare one for Neeson and he leapt at it; immersing himself in the role of Ra's Al Ghul/Henri Ducard/The Phantom Of The Opera. Just kidding about the last character, but Neeson crafted a complex, multi-layered villain who lost sight of the true meaning of justice. It was a suave turn and a great way to kick of Christopher Nolan’s Batman series alongside his co-star of 2005 Cillian Murphy.


Breakfast On Pluto (2005) Neeson re-teams with Michael Collins director Neil Jordan for a scene-stealing supporting turn in this little-seen charmer. Now, if you have only watched five minutes of Cillian Murphy’s portrayal as transgender Irsih lad/lass Kitten, then you know just how much of a compliment it is to say Neeson’s moments as Father Liam were, indeed, scene-stealing


. . . .and The Worst


The Chronicles Of Narnia franchise Sure, he’s only a voice actor in Thinly Veiled Christianity: The Franchise so at least Neeson is spared having to show his face. But the Narnia series, which has always been a poor man’s Lord Of The Rings meets Harry Potter, seemed to use Neeson's voicing of the Aslan character in such a way that when you watched that CGI lion speak nobly about bravery and faith, you couldn’t help but stifle a giggle at the ridiculousness.


The competition is open until midnight tonight, so there's still time to click HERE and give me those few final page clicks I need to get over the line.

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Chloe, Chloe, Chloe, Chloeeeeee

Wednesday, February 23, 2011

So, as you know I’ve entered the Blockbuster Supper Blogger competiton where, if I win and you click HERE, I get sent to cover the Cannes Film Festival. I know, awesome, right? Anywho, you may remember our assignment last week was to watch and review Wall Street: Money Never Sleeps which I did via poem. This week we had to watch and review sexual thriller Chloe. I fully intended to do a conventional review this week until . . .I realised Chloe rhymes with Jolene. Perfectly. C’mon, with a set-up like that, how can I NOT review Chloe via a reworking of the Dolly Party classic? The adultery themes in both are just too perfectly suited! Anyway, I promise next assignment I will not a) write a poem review b) write a song review or c) make any rhyming jokes. In the meantime, enjoy :o)

Chloe, Chloe, Chloe, Chloe
I’m begging of you please don't take my man
Chloe, Chloe, Chloe, Chloe
Please don't take him just because I said you can

Your beauty is beyond compare
With golden locks of fine, blonde hair
With ivory skin and eyes blue like the sea
I’m questioning my wedding ring
See if you can get to my husband’s ding
I need to justify my fears of adultery

He missed his party, his lies are deep
A picture on his phone made me weep
It’s a shame your services don’t come cheap, Chloe

And I can easily understand
How he would stray from his hand
I’ve aged and not as youthful as you, Chloe

Chloe, Chloe, Chloe, Chloe
I’m begging of you please don't take my man
Chloe, Chloe, Chloe, Chloe
Please don't take him just because I said you can

But I’ve realised you're not into men
Even though your bat-shit crazy and
You throw yourself out of a window in the end, Chloe

I tried to have this talk with you
But you shagged my son Michael too
Seems there’s no one you won’t do, Chloe

Chloe, Chloe, Chloe, Chloe
I’m begging of you please don't take my man
Chloe, Chloe, Chloe, Chloe
Please don't take him even though you mad
Chloe, Chloe

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