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Showing posts with label Black Dynamite. Show all posts
Showing posts with label Black Dynamite. Show all posts

The 6 coolest movie characters of the last decade

Wednesday, March 31, 2010


“And that's what we're gonna be. We're gonna be cool. Now Ringo, I'm gonna count to three, and when I count three, you let go of your gun, and sit your ass down. But when you do it, you do it cool. Ready?” – Jules (Samuel L. Jackson), Pulp Fiction


When it comes to cinematic cool, Samuel L. Jackson’s character Jules from Pulp Fiction is the definition. Suffice to say super-cool movie characters don’t come around every day, but when they do, they leave an impression. It takes a brilliantly scripted character and a stellar performance from the actor to pull off a smooth operator on screen. Here are six of my personal standouts from the last decade:

Sands, Once Upon A Time In Mexico (2003)


He may be known for his quirky and original characters, but Johnny Depp’s turn as the sarcastic, slightly neurotic FBI agent Sands in Once Upon A Time In Mexico is unforgettable. With his trademark sunnies, Michael Jackson gloves and who-gives-a-fuck attitude, Sands oozes charisma. I mean, the man has his eyes cut out and he still manages to hook up with Eva Mendes, shoot a bunch of bad guys and call a cab driver a “fuck-mook.” Director and Movie Mazzupial favourite Robert Rodriguez is known for creating stylish and cool films, yet Sands is like the embodiment of his cinematic mantra. Plus, he has some of the best throwaway lines such as “Are you a Mexican or a Mexican’t?”

Hit Girl, Kick-Ass (2010)
Parenting groups were up in arms over Chloe Grace Mortez’s portrayal of Hit Girl/Mindy Macready; the 11-year-old mass murdering, potty mouthed superhero from Kick-Ass. Unlike so many god awful superhero movies, the character of Hit Girl remained true to its origins in the graphic novel written by Mark Millar and illustrated by John Romita Jr. Preferring a bench made model 42 butterfly knife over a Bratz movie-star make over Sasha doll, Hit Girl is the epitome of cool; saving the day on more than one occasion and killing more than her fair share of bad guys in a suitably bloody fashion. Like a cross between Mini Me and The Bride, Hit Girl is more than comfortable dropping the c-bomb and “fucking” with people, thus making her the coolest 11-year-old ever.

Black Dynamite, Black Dynamite (2009)
A parody of every Blaxploitation character ever, Michael Jai White starred as the title character in the film he wrote with friends Byron Minns and Scott Sanders. When `the man’ kills his only brother, pumps heroin into local orphanages and starts shrinking the male anatomy through malt liquor, there’s only one brother bad enough to unravel the conspiracy: Black Dynamite. And so, we are introduced to one of the coolest on-screen characters in recent times who can seduce any woman in sight, defeat the entire population of Kung-Fu Island and take on a num-chuck wielding Richard Nixon. Robert Downey Jr’s Sergeant Lincoln Osiris via Kirk Lazarus from Tropic Thunder looks like a private schoolboy compared to White’s superb and often shirtless portrayal of Black Dynamite. Treading the fine line between parody and pandemonium, he has created the epitome of cool with so many quotable lines you can see a legion of males trading impressions whilst gathered around the water cooler at work. The highlight being “First lady, I’m sorry I pimp slapped you into that China cabinet . . . I use excessive force.”

Bang Bang, The Brothers Bloom (2009)
They say silence is golden and in the case of Bang Bang (Rinko Kikuchi) from The Brothers Bloom, this is definitely the case. As the classy explosives expert in the conman team she has some of the best moments in the film, all without uttering a single word. With no dialogue, it is to Kikuchi’s credit she is able to create a quirky and ridiculously cool criminal whose trademark is to make bombs out of Barbie dolls. Even Kikuchi’s Oscar-nominated role in Babel doesn’t hold a candle to the infinite coolness of Bang Bang.

Eric Knox, Charlie’s Angels (2000)
Sure, not an obvious choice, especially when the always-impressive Sam Rockwell spent the first half of the movie as the bumbling and shy I.T expert Eric Knox. But once the veil is lifted and Knox’s true identity as the villain is revealed, things take a turn for the better. Few actors would have been able to moonwalk to Pharoahe Monch’s Simon Says with as much smoothness as Rockwell, who does it with a cigarette in his mouth and a skip in his step. His performances in movies such as Moon, Confessions Of A Dangerous Mind, Choke and Frost/Nixon may be more superior dramatically, but when he is on screen as Eric Knox Charlie’s Angels are about as interesting as the three chipmunks.

Elle Driver, Kill Bill: Vol 1 & 2 (2003, 2004)
Daryl Hannah’s most famous role as the mermaid from Splash was altogether annihilated when she picked up the Samurai sword for the deliciously evil and sadistic character of Elle Driver aka California Mountain Snake in the Kill Bill films. The seven dwarves could have never guessed the term `whistle while you work’ could be utilised by such a lethal mistress in the hospital scene when she sports a naughty nurse outfit and a matching eye-patch. With a cup of crazy, a sprinkling of deadly skills, a pinch of dry wit and eight parts cool, Hannah’s atrocious performance in the floptastic Shark Swarm in 2008 can almost be forgiven for the character of Elle Driver. Her best moment? Cooly getting out her notebook and reading off a series of facts about the Black Mamba while her former colleague Budd is squirming on the ground after being bitten by the snake she planted in his brief case. “Now, you should listen to this, 'cause this concerns you. The amount of venom that can be delivered from a single bite can be gargantuan. You know, I've always liked that word... ”gargantuan"... so rarely have an opportunity to use it in a sentence.”
Yes, cool almost seems like an understatement. Ice cold bitch would probably be more appropriate.


Honourable mentions: Morpheus from The Matrix trilogy, Miho from Sin City, Brendan from Brick, Frozone from The Incredibles, Big Daddy from Kick-Ass, Lt. Aldo Raine from Inglorious Basterds, Mickey from Snatch, Lisbeth Salander from The Girl With The Dragon Tattoo, Legolas from The Lord Of The Rings trilogy, Jack Sparrow from The Pirates Of The Carribean trilogy, Mr. Fox from Fantastic Mr. Fox.

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Don't judge me

Sunday, August 2, 2009

You're judging me. Stop.
I cannot help it if I get a little excited when my film stories, and the like, appear somewhere other than here. Especially when they have everything to do with promoting the Brisbane International Film Festival (BIFF) which is taking place at the moment.
So, if you fancy a spot of reading and expanding your movie knowledge, you may enjoy these pieces I did for the BIFF daily enewsletter.

The Strength of Water

I particularly recommend you check out the Van Dieman's Land story on Australia's very own Hannibal Lecter character.

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Bringing the BIFF

Monday, July 27, 2009

Everyone loves a good biff, especially when it has absolutely nothing to do with The Footy Show. Here, I’m speaking about the one and only Brisbane International Film Festival also known as BIFF. The Gold Coast, being the cultural vacuum that it is, us film geeks eagerly await the annual BIFF where a selection of films from around the world are screened over the course of one and a bit weeks. This year I’ve been lucky enough to work with some of the BIFF crew by putting together articles on various films for the website and daily newsletter. With dozens of movies crammed into the 11-day event it would be easy to miss some of the real gems. The good news is I’ve taken a look at the complete line-up of films screening at this year's festival and even watched some of them early. So, the following is my list of the films you MUST SEE or die at this year's BIFF. For you international readers this can be a handy guide of limited release films you should keep an eye out for in the coming weeks/months.

An Education – the opening night film starring Peter Sarsgaard and set in the 60s. The Sars-man in a film with romance, drama and intrigue sounds like too rare an opportunity to miss.
BALIBO – the notorious tale of five young, Australian journalists who were executed while reporting on Indonesia’s invasion of East Timor in 75. An impressive Aussie cast including Gyton Grantley, Nathan Phillips and Anthony LaPaglia expose the Australian and Indonesian governments shameless efforts to cover-up this important story.
Coraline – has been covered extensively on this blog given its beautiful visuals and dark storyline. Directed by Henry Selick, director of the classic Nightmare Before Christmas, Coraline follows the adventures of a young girl who discovers a secret door leading to an alternative reality.
500 Days of Summer – a last minute addition to the festival line-up, this quirky, nontraditional love story deserves to be seen purely because it features the talents of Movie Mazzupial favourite Joseph Gordon Levitt. It also stars everyone’s favourite indie film star Zoey Deschanel.
CHE: Parts One & Two – director Steven Soderbergh’s stunning two-part opus based on the life Che Guevara and starring Benicio Del Toro in the title role. You’ll be hard pressed to catch this screened back to back anywhere else in Queensland.
Away We Go – highly peculiar, yet, interesting film which looks at the journey of two thirtsomethings who discover they’re going to have a baby. Instead of settling down and preparing, the couple take to the road to visit old friends. This is the latest thing from the amicable Sam Mendes and marks a return to his off-beat indie roots.
The September Issue – one of the most anticipated documentaries of the year, this film delves into the life of legendary Vogue editor-in-chief Anna Wintour in the lead-up to the massive September issue.
Jules And Jim – this French film from the 60s is a classic love-triangle with arguably the most recognisable face in French cinema –Jeanne Moreau.
Moon – one of the films I’m most looking forward to, this sci-fi thriller i
s the debut feature from David Bowie’s son Duncan Jones and stars Sam Rockwell in what is said to be the performance of his career.
The Missing Person – a private detective is hired to follow a missing person but what started as a simple job rapidly develops into a complex mystery. Full of double-crosses and classic noir moments, this is a film not to be missed by lovers of all things noir.
The Strength of Water (below)– having Maori parentage, I like to pay special attention to films from indigenous New Zealand filmmakers. The Strength of Water is definitely worth the gaze. A unique look at the complexity of grief through the eyes of a 10-year-old living in an isolated Maori community. Beautiful, naturalistic, creative and moving. A must-see.Van Dieman’s Land – the infamous tale of Australia’s very own Hannibal Lecter gets the big screen treatment from a filmmaker heading for the stratosphere.Subdivison – Brisbanite Ash Bradman (from Nova radio fame) wrote and stars in this appealing comedy set in semirural Hervey Bay. Fans of Aussie films like Crackerjack, The Castle and Kenny are likely to enjoy this.
The Cove – along with Cathy Henkel’s The Burning Season, this has to be one of the most important documentaries of the year and looks at the culling of dolphins in the picturesque town of Taiji, Japan. Part horror film, part espionage thriller and part environmental documentary, The Cove is all part's essential viewing.
It Might Get Loud – there’s no time for air guitar in this documentary which takes the audience on a candid trip into the world of three of rock’s most iconic electric guitarists; Jimmy Page (Led Zepplin), the Edge (U2), and Jack White (The White Stripes).
Black Dynamite – if I even have to explain to you the plot of this film, given the sheer volume of posts about it on this blog, then you deserve to be pimp-slapped into a China cabinet. Here’s your chance to see what all the fuss is about.
Dead Snow – Tarantino and Rodriguez fans, like myself, are likely to adore the work of the Norwegian lads behind this low-budget, horror slapstick about Nazi zombies. Writer/director Tommy Wirkola and writer/star Stig Frode Henriksen have been pipped for big things since their debut short Kill Buljo and their first feature doesn’t disappoint. Catch their work before it explodes as their next film Hansel and Gretel: Witch Hunters has been picked up by The Weinstein Company (bada-boom).
Storage – a tense, edge-of-your-seat psychological thriller from Brisbane filmmaker Michael Craft and starring Gold Coast actor Matt Scully in the lead role. An impressively clever debut from Craft who shot the film in storage facilities in and around Brisvegas. Creepy.
The Horsemen – containing what is said to be one of the `most amazing fight scenes captured’ is there really any other reason to see this?

Ticket prices are cheap as chips compared to a normal outing at the movies and BIFF is running a series of workshops where you can meet the director, producer, writer and/or stars of some of the films. For session times, film details and all the nitty-gritty check out their website here.

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Shameless self-promotion 101

Thursday, July 23, 2009

The title says it all really.

For all you trendy, hip, I'm-so-post-modern-it-hurts types Movie Mazzupial has done a review of Black Dynamite on the subcultural guide Four Thousand.
C-c-check it out here.

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Can you dig it?

Tuesday, July 14, 2009

Forget The Hangover and Bruno, the must-see comedy of 2009 is Black Dynamite.

Spoof movies have copped a bad reputation in the past decade, and it is easy to see why. Personally, whenever I see the word `spoof’ used in a synopsis I have a traumatic flashback to Disaster Movie. Gone are the days of intelligent satire like Life of Brian, Airplane! or Fear of a Black Hat. Or so I thought.

After exploding at the Sundance and Edinburgh film festivals earlier this year, along comes Black Dynamite – a film with its tongue so firmly in cheek I thought it might burst out the other side. Homage to the best and worst blaxploitation movies of the 70s, you will be hard pressed to find a comedy as fresh and funny in cinemas this year.

A sub-genre of exploitation cinema, blaxploitation films were targeted at urban African American audiences and the storylines usually involved a black protagonist seeking justice from the neighbourhood pimps or drug dealers. Given their controversial nature and tendency to depict the violent-African American stereotype, the genre died out within a decade. However, blaxploitation films such as Shaft, Foxy Brown and Boss Nigger have become adored by cinephiles and are today considered kitsch classics.

It is at this audience Black Dynamite is targeted. Screenwriters Scott Sanders, Michael Jai White and Byron Minns have left no cliché of the genre unused in their construction of plot which is set in the height of blaxploitation cinema; the 70s.

When `the man’ kills his only brother, pumps heroin into local orphanages and starts shrinking the male anatomy through malt liquor, there’s only one brother bad enough to unravel the conspiracy: Black Dynamite. Teaming up with characters such as Cream Corn, Tasty Freeze, Chocolate Giddy-up and Honeybee, his mission takes him all the way to the Whitehouse and a num-chuck wielding Richard Nixon. Kung fu, orgies and ass-whooping ensues.

With such a sensational storyline, it would have been easy for the movie to plough blindly into ridiculousness. However, to his credit director Scott Sanders takes on the material with such unflinching confidence and expertise, it is impossible not to take the comedy seriously. Pun intended.

Sanders knows exactly what kind of film he wants the audience to see and he uses every trick in his director arsenal to achieve it. Complete with split screens, pan whips, zooms and slow motion, he utilises every technique from 70s film and television to make the experience feel authentic. Sanders is not just making a blaxploitation film set in the 70s, it is a film in the 70s. Accompanied by a soundtrack of funk and soul music, watching the film is like being transported back in time and I would not have been surprised if I had an afro and flairs by the end of the screening.

To hail this as the saviour of spoof movies would not be an understatement. There is a very Monty Ponty-moment when Black Dynamite and his followers are connecting a malt liquor brand to the conspiracy. Albeit in a very different setting, the marks of intelligent satire are evident. Avoiding the cheap laughs, the jokes are clever and fast delivered without the hint of a smile from the ensemble cast. I dare you not to be reduced to giggles when Black Dynamite utters the line “First lady, I’m sorry I pimp slapped you into that China cabinet . . . I use excessive force.”

In fact, the film has so many quotable lines you can see a legion of males trading impressions whilst gathered around the water cooler at work. Robert Downey Jr’s Sergeant Lincoln Osiris via Kirk Lazarus from Tropic Thunder looks like a private schoolboy compared to Michael Jai White’s superb and often shirtless portrayal of Black Dynamite.

White is a standout and one of the films biggest assets. Also one of the co-writers, his talent exceeds beyond the screenplay. With a knockout body and incredible martial arts skills, you actually believe he can take on every occupant of Kung-Fu Island as his character does midway through the film. White is pitch-perfect in the role of Black Dynamite and his comedic timing is reminiscent of Steve Martin’s early work. Treading the fine line between parody and pandemonium, he has created an iconic comedy character a la Derek Zoolander or Ron Burgundy.

Avoiding the mistake so many comedies make these days, Black Dynamite does not overstay its welcome with a brief 90 minute running time. Watching the brilliantly animated closing credits, I felt a pang of sadness that this film is unlikely to get the audience numbers it deserves given its sexy, camp and violent content. When Black Dynamite opens in limited release across Australia in September, it will be restricted to playing at cult and avant-garde cinemas ballsy enough to screen it. I was lucky enough to see the film a few months early courtesy of some work I'm doing with the Brisbane International Film Festival so the rest of you MUST keep your eyes peeled for session times in coming months. Alternatively, anyone near Brisvegas can catch it playing in August at the Regent for BIFF.

Admittedly this blaxploitation satire isn’t everyone’s cup of tea. As a tongue-in-cheek take on the genre, Black Dynamite is a hilarious ride for those who like their movies like their coffee: black.

You can watch the awesome Black Dynamite trailer HERE.

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