King of the jungle

It is one of the most prestigious film festivals in the world and this year Sundance was ruled by one man; Aussie film student turned film critic turned film director David Michôd (above). After making a string of award-winning short films, Michôd's full length debut Animal Kingdom took out the dramatic grand jury prize for world cinema and reviewers compared his work to that of Quentin Tarantino and Martin Scorsese.

Michôd also had another film in competition at the festival, Hesher, starring Natalie Portman, Joseph Gordon-Levitt and Rainn Wilson, which he co-wrote with director Spencer Susser who was nominated for the dramatic grand jury prize.
``It was incredibly exciting,'' says Michôd.
``I already felt like I won before the awards were presented because for it to play the way it played and for it to go down the way it went down…it was so exhilarating.
``I didn't need a prize; I already had my wildest dreams achieved.
``I was extremely happy that Hesher got in and Spencer was going to be there too.
``It's quite extraordinary when you think it about it because out of the 12 to 13 films in competition and the 2500 entries, we had them both in.
``I was very much living in an Animal Kingdom bubble. . .and to be there with so many of the cast and crew it felt fun, like being on tour with a rock band.
``It was great to be there with Spencer and Hesher and on some weird level it felt like we owned Sundance, but I think that way because I’m self-obsessed.''

Michôd says he had already left the festival when the award was presented because he didn't know `how the film was going to be received.' It was not his first time at Sundance, as he ventured there in 2008 in a déjà vu situation when his short film Crossbow was selected along with two others he co-wrote; Spider, directed by Nash Edgerton, and I Love You, Sarah Jane, directed by Spencer Susser and starring Mia Wasikowska.
“It really felt like people were talking about us and that there was something new coming out of Australia,” he says.
“People became aware we were all working on each others films.
“It was incredibly rewarding to go through the whole trauma of making a feature film and having it land there – I wouldn’t want it to play at any other festival.”

That wish cam true and to great result, with reviews for Animal Kingdom unanimously positive so far. Michôd says he had been carrying around the idea for the film for a while, however, it was his move from Sydney to Melbourne that prompted him to put pen to paper.
``It felt like a big city to me and I read a lot of true crime writing,” he says.
“It gave this new personality to the neighbourhoods behind the stories.
``I wanted to do a big, sprawling, crime story in Melbourne.”

His crime epic took a back seat while he finished film school and then got a job in Sydney working at Inside Film magazine where within two-years he became editor.
Michôd says he learnt a lot about how the business works in his time at the magazine and saw the distribution, marketing and publicity side of the filmmaking process which `filmmakers don't often get to see.' He says now that Animal Kingdom is to be released soon, he is surprised he was not more fearful of reviews given his experience writing them.
``I do think of myself as a sensitive soul and I'm surprised I didn't fear having the tables turned after having cast judgement for so long,'' he says.
``I didn't really enjoy reviewing films and I knew that if I didn't just jump out and have a crack, make Animal Kingdom, then I was never going to do it.''
As he began to gather momentum for Animal Kingdom through short film work, he also established a connection with Blue-Tongue Films, a loose-jointed Australian moviemaking collective founded by the Edgerton brothers Nash and Joel. Michôd, Spencer Susser, Nash Edgerton, Luke Doolan and Joel Edgerton (pictured in order above) make up the core of the group.
“The beauty of Blue-Tongue is it’s a collective of friends,” says Michôd.
“We’re all off making films with different production companies, but we always make sure we’re involved in each others stuff.
“It’s all about feeling like your not doing it alone, especially in the early days when you’re making shorts and none of you have any idea if there are careers awaiting you.”

Once the project was up off the ground, Michôd says `one of the most encouraging things' was how quickly people came on board.
``I felt good about it, but I didn't know it would work and I was racked with self-doubt,” he says.
“So, to have actors with such an incredible body of work jump on board quickly and enthusiastically made me think the material would work.
``It feels intimidating walking on set and all these powerful personalities and actors are waiting for you.
``But when you know the movie inside out, you know what you need to say.
``I know I wanted it to be quite simple and almost beautiful.
``I knew early on and talked about this a lot with the cinematographer that I didn't want it to be full of funky camera stuff.
``I didn't want it to feel like a rock 'n' roll crime movie that's about how cool criminals are.''

Animal Kingdom stars a who's who of Australian acting talent such as Guy Pearce, Joel Edgerton, Luke Ford, Ben Mendelsohn, James Frecheville and Jacki Weaver. It is psychological crime drama about a 17-year-old boy (Frecheville) as he tries to survive amongst his criminal family and manage a detective who is determined to save him. Animal Kingdom opens in cinemas on Thursday and you can check out the trailer below.

In the meantime, if you find the indie and oh-so-awesome film collective Blue-Tongue Films as interesting as I do, then I suggest you head over to the NY Times and read this far superior piece by Michael Cieply. Tis’ fascinating.